Generating
Editing
Color Grading
Finishing
Cinematic Frames
in Service of Story
Created primarily with
artificial intelligence
© Curated Stills and Videos ビジュアル
(WDX® — 02)
Generative
© Curated Stills and Videos ビジュアル
Generative
© Curated Stills and Videos ビジュアル
Generative
© Featured Projects プロジェクト
(WDX® — 03)
Creative Development
© Featured Projects
Creative Development
© Featured Projects プロジェクト
Creative Development
Featured Works©
Featured Works©
Featured Works©
© Capabilities サービス内容
(WDX® — 04)
Digital Execution
© Capabilities サービス内容
Digital Execution
© Capabilities サービス内容
Digital Execution
Services
(6)
Iterative
Structured
Focused
Visual Language
01
Concept & Story Direction
I translate ideas into clear, cinematic narratives - defining story, tone, and visual direction so complex concepts can be realized as high-fidelity films through AI production.
02
AI Film Production
AI is used as a production medium, not a shortcut. I generate and assemble cinematic footage guided by narrative intent, visual continuity, and directorial control - treating AI as a new filmmaking process rather than a visual effect.
03
Post-Production & Finishing
Drawing on over 20 years of color expertise, I shape the final look of each film refining contrast, texture, and tone to remove the ‘digital plastic’ often found in AI imagery and achieve a finished film with cinematic depth and texture.
Concept & Story Direction
I translate ideas into clear, cinematic narratives - defining story, tone, and visual direction so complex concepts can be realized as high-fidelity films through AI production.
AI Film Production
AI is used as a production medium, not a shortcut. I generate and assemble cinematic footage guided by narrative intent, visual continuity, and directorial control - treating AI as a new filmmaking process rather than a visual effect.
Post-Production & Finishing
Drawing on over 20 years of color expertise, I shape the final look of each film refining contrast, texture, and tone to remove the ‘digital plastic’ often found in AI imagery and achieve a finished film with cinematic depth and texture.
Concept & Story Direction
I translate ideas into clear, cinematic narratives - defining story, tone, and visual direction so complex concepts can be realized as high-fidelity films through AI production.
AI Film Production
AI is used as a production medium, not a shortcut. I generate and assemble cinematic footage guided by narrative intent, visual continuity, and directorial control - treating AI as a new filmmaking process rather than a visual effect.
Post-Production & Finishing
Drawing on over 20 years of color expertise, I shape the final look of each film refining contrast, texture, and tone to remove the ‘digital plastic’ often found in AI imagery and achieve a finished film with cinematic depth and texture.
© Personal Profile プロフィール
(WDX® — 05)
Visual Thinker
© Personal Profile プロフィール
Visual Thinker
© Personal Profile プロフィール
Visual Thinker
From concept and story direction to AI-based production and final finishing, I design films as complete cinematic works. The process prioritizes narrative clarity, visual continuity, and a refined finish that avoids the synthetic feel common in AI imagery.
From concept and story direction to AI-based production and final finishing, I design films as complete cinematic works. The process prioritizes narrative clarity, visual continuity, and a refined finish that avoids the synthetic feel common in AI imagery.
© Visual Journal ジャーナル
(WDX® — 10)
Creative Notes
© Visual Journal ジャーナル
Creative Notes
© Visual Journal ジャーナル
Creative Notes
ART PROJECTS©
ART PROJECTS©
ART PROJECTS©
© Awards アワード
(WDX® — 07)
Selected Honors
© Awards アワード
Selected Honors
© Awards アワード
Selected Honors
Articles
(3)
Awwwards
CSSD
Framer
Dribbble
"Not the artist alone, but every creative individual whatsoever owes all that is greatest in his life to fantasy. The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy any creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth. It must not be forgotten that it is just in the imagination that a man’s highest value may lie." - Carl Jung"
"Not the artist alone, but every creative individual whatsoever owes all that is greatest in his life to fantasy. The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy any creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth. It must not be forgotten that it is just in the imagination that a man’s highest value may lie." - Carl Jung"
© Help Center ヘルプ
(WDX® — 11)
Clarifications
© Help Center ヘルプ
Clarifications
© Help Center ヘルプ
Clarifications
FAQ.
Technique exists to serve expression, not to replace it. — Yasujirō Ozu
01
What’s your typical process like?
02
Can you handle both concept and execution?
03
How much experimentation is part of your process?
04
What parts of the process are still completely manual?
05
Do you usually work alone on the projects?
What’s your typical process like?
Can you handle both concept and execution?
How much experimentation is part of your process?
What parts of the process are still completely manual?
Do you usually work alone on the projects?
What’s your typical process like?
Can you handle both concept and execution?
How much experimentation is part of your process?
What parts of the process are still completely manual?
Do you usually work alone on the projects?